Do you live in New Hampshire? Join us July 15th for our OPEN SING! Click here for more info…

Ogontz Choral Workshop

Sunday, July 12th – Saturday, July 18th, 2026
in the beautiful White Mountains of New Hampshire

Brahms | Ein Deutsches Requiem
Palestrina | Missa Papae Marcelli

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A typical day at the Ogontz Choral Workshop

8am Breakfast
10am Choral warmups
10:45am Rehearsal session with David Hill
12pm Lunch
2pm Solo voice masterclass or conducting masterclass
3:15pm Sectional rehearsals
4:30pm Free time
6pm Dinner
7:30pm Rehearsal session with David Hill
9pm Evening festivities in Ogontz Hall

Workshop Faculty

David Hill

Renowned for his fine musicianship, David Hill is widely respected as both a choral and orchestral conductor. His talent has been recognized by his appointments as Musical Director of The Bach Choir, Music Director of Leeds Philharmonic Society and Associate Guest conductor of the Bournemouth Symphony Orchestra. He was Chief Conductor of the BBC Singers from September 2007 to September 2017, Principal Conductor of Yale Schola Cantorum from 2013 to 2024, and is a former Music Director of Southern Sinfonia. In March 2018, he was honored with the prestigious Royal College of Organists medal, in recognition of distinguished achievement in choral conducting and organ playing. 

Born in Carlisle in 1957, David Hill was educated at Chetham’s School of Music as a violinist and pianist, where he led the school orchestra. He was made a Fellow of the Royal College of Organists at the age of 17 and won an organ scholarship to St John’s College, Cambridge where he served under the direction of the late Dr George Guest. His previous posts have included Master of Music at Winchester Cathedral (1987–2002) and Westminster Cathedral (1982–7), Associate Conductor and then Artistic Director of the Philharmonia Chorus (1986–97), Music Director of The Waynflete Singers (1987-2002) and Director of Music at St John’s College, Cambridge (2003-2007). 

He is in great demand for choral training workshops worldwide, and his handbook on the subject Giving Voice was published in 1995. He was previously a choral advisor to music publishers Novello, for whom he has edited several publications including the carols anthologies Noël!, and he regularly contributes articles to Choir and Organ. As an organist, he has given recitals in most of the major venues in the UK and has toured extensively abroad.  

David Hill’s broad-ranging discography of over 100 recordings, spanning repertoire from the Renaissance to the present day and including many award-winners, can be found on the Decca/Argo, Hyperion, Naxos and Virgin Classics labels. With the Yale Schola Cantorum, he has released three outstanding discs for Hyperion. With the Bach Choir, he has specialized in recordings of English music. The third in an English series for Naxos, Delius’s A Mass of Life with the Bournemouth Symphony Orchestra, won a coveted Choc de Classica and the most recent, an acclaimed recording of Howells’ Missa Sabrinensis for Hyperion, was described by Gramophone as “electrifying”. Other Bach Choir recordings include contributing to the film soundtracks of Kingdom of Heaven, The Chronicles of Narnia, and Shrek the Third. 

Hill has appeared as guest conductor at the BBC Proms and with the London, Royal Liverpool, BBC, Strasbourg and Zagreb Philharmonic orchestras; the London Symphony Orchestra, the Philharmonia, the Hallé Orchestra, Ulster Orchestra, English Chamber Orchestra, the BBC National Orchestra of Wales, the Royal Northern Sinfonia, BBC Symphony, BBC Concert, RTÉ National Symphony, the Sydney Symphony Orchestra, Omaha Symphony, Copenhagen Philharmonic, the Minnesota Orchestra, the Portland Baroque Orchestra, as well as the Netherlands Radio Choir, the National Youth Choir of Australia, and RIAS Chamber Choir, Berlin.

His commitment to new music has led to him premiering works from leading composers including Judith Bingham, Carl Rütti, Francis Pott, Bob Chilcott, Gabriel Jackson, James Macmillan, Philip Moore, Naji Hakim, Sir John Tavener, Philip Wilby and Jonathan Dove. Recent highlights include the world premiere of Gabriel Jackson’s The World Imagined with the Philharmonia at Three Choirs Festival. 

Recent and forthcoming engagements include conducting James MacMillan St John Passion with the National Symphony Orchestra of Ireland, Britten Les Illuminations as part of the Three Choirs Festival as well as return appearances with the Bournemouth Symphony Orchestra. 

In recognition of his services to music, David has been awarded an honorary doctorate by the University of Southampton, an Honorary Fellowship of the Royal School of Church Music, and an Honorary Membership of the Royal Academy of Music. He received an MBE in the New Year 2019 Honours list for services to music.

Choral Conductor / Workshop Leader

Jolle Greenleaf

Soprano Jolle Greenleaf is one of today’s foremost figures in the field of early music. Balancing a career as a leading soloist and an innovative impressaria, she celebrates her 14th season in 2022-2023 as artistic director of Tenet Vocal Artists, a premiere New York City-based ensemble specializing in early music.

Ms. Greenleaf has been hailed by The New York Times as a “golden soprano” and “a major force in the New York early music-scene.” She is a celebrated interpreter of the music of Bach, Buxtehude, Handel, Purcell and, most notably, Claudio Monteverdi. Her “crisp, sensuous voice” (The New Yorker) has been praised for its “purity and beguiling naturalness” (The Oregonian) and “intriguing beauty” (The Boston Globe).

“A treasured staple in New York,” (The New York Times) Ms. Greenleaf was named the artistic director of Tenet Vocal Artists in 2009, where she sings and directs the ensemble in repertoire spanning the Middle Ages to the present day. Her flair for imaginative programming has been lauded as “adventurous and expressive,” as well as “smart, varied and not entirely early” (The New York Times). She spearheaded Tenet’s Green Mountain Project, whose annual performances of Monteverdi’s Vespers of 1610 were universally acclaimed for a decade. In January 2020, she organized a tour in Venice Italy for the Green Mountain Project’s finale performance.

Ms. Greenleaf passionately fosters the spirit of collaboration and idea sharing. She regularly invites nationally and internationally acclaimed musicians to team up for performances with her and others from the New York-based early music community.

Vocal Instructor

Peter Kelmelis

Peter Kelmelis is a New York-based pianist with a diverse range of collaborative experience. He has served as répétiteur for productions of Puccini’s Suor Angelica and Poulenc’s Dialogues des Carmélites with the University of Tennessee Opera Theatre. His recent recital project, Through a Frosty Windowpane (2024), pairs two cello/piano duo sonatas by Brahms and Beethoven with the exquisite Romance for cello and piano, op. 14 by twentieth-century Hungarian composer Leó Weiner. As an orchestral pianist, Peter has performed with the Knoxville Symphony Orchestra and with the University of Tennessee Symphony Orchestra. He has taught dozens of beginner piano students of all ages both at the University of Tennessee College of Music and in the greater Philadelphia area. He previously served as organist and choir accompanist at St. Mark’s United Methodist Church (Wilmington, DE) and has been a guest organist for services at Second Presbyterian Church (Knoxville, TN) and Christ Episcopal Church (Westerly, RI). Peter grew up singing in the Chorus of Westerly (RI) and currently sings in the tenor section of the Oratorio Society of New York.

Collaborative Pianist / Workshop Coordinator

The Ogontz Choral Workshop offers extraordinary opportunities for singers, church musicians, and choral conductors to explore repertoire with one of the world’s leading choral directors.

Registration is open to anyone — no auditions are required.

Past participants have come from across North America and beyond and have included singers and musicians of all backgrounds.

Unlike many summer choral workshops, which focus on a culminating public performance, the Ogontz Choral Workshop is an opportunity to become immersed in several masterpieces without the pressure of preparing to perform.

Hear from previous participants

  • The Choral Camp is a great way to spend time with other singers and a master maestro in a beautiful setting where you can actually see the stars at night. […] Ogontz was the location for many of the most wonderful experiences of my life.

    Mimi S.

  • Attending the Ogontz Choral Symposium is truly a magical experience. The setting is soothing and uplifting to the spirit, the wonderful company of other singers from diverse backgrounds broadens our learning experience and the music…ah, the music… fills heart and soul. And our faculty are outstanding!

    Mary S.

  • This is a wonderful choral experience. The music is well chosen. The setting is beautiful. And it is fun! The group readily accepts singers at all levels. I have learned much from the years I have attended through choral week at Ogontz and I recommend it to others.

    Jim H.

  • First blessing of many is the setting is idyllic with hills, lake, plenty of green, great food and camaraderie. I have to say all or nearly all the singers are very experienced and most read at sight very well, which is the second blessing. The literature is outstanding … – never a dull moment. David Hill of England plays, directs, instructs, comments and generally entertains and enlightens the some 70+ singers who come from a wide area centered in New England but extending far beyond. We had youngsters, middle-aged, and the most numerous age group were like me, senior citizens. The choir is well-balanced and sounds terrific.

    Stephen K.